Delighted to have three of my poems published on Poetry In Surrey Libraries blog. My thanks to editors Neil Richards and J M. Gale.

Stone Jar by Strider Marcus Jones

Posted on May 20, 2021 by jmgale

have seat
stone jar
with heart old as peat;
you’ve come this far-
seen history shoot itself
to repeat the past
but nothing else
is made to last-
why weep
and fast,
while others sleep
and blast
this sorrow
from the same face tomorrow-
and what fool am i to keep
thinking that the thinkers
will remove the old ways blinkers-
and speak.

Soupy Potions by Strider Marcus Jones

Posted on May 23, 2021 by jmgale

sleep old name;
erase this lame
membrane of days-
where tracks of trust
go to dust
and empty in-out trays,
crack like blowed skin
under amphetamine
sun, remembering
how promises persist
in metaphores of mist-

and that box of rumours
the neighbours hold, like chocolate tumours
behind lace curtains-
knew your rock
fired the clay and shaped his pot
to aroused assertions-
then the moon-tide quickening
and coming in,
like soupy potions thick and thin,
front to back
on constellation grainy black.

Strider Marcus Jones is a poet, law graduate and former civil servant from Salford, England with proud Celtic roots in Ireland and Wales. He is the editor and publisher of Lothlorien Poetry Journal

A member of The Poetry Society, his five published books of poetry reveal a maverick, moving between cities, playing his saxophone in smoky rooms. His poetry has also been published in numerous publications around the world.

The Vase by Strider Marcus Jones

Image by Lubos Houska from Pixabay

standing silent proud,
alone, or in a crowd
life glazed mood and skin
outside and in-
for you, i think out loud
and take you in-
where thoughts abound reversible
and convertible-
where saying being wrong
reaches out beyond
the natural need to win.
moulded by my hands
to this shape that understands;
its cloth of clay holds you warm,
a mummer masked in costumes storm-
react with its receptacle of reason
for sorting truths from treason,
but you don’t need to have a season
to put your flowers into me-
swaying here, in wind and wild, as born so be.

Thrilled to have my poem The Word Love (from my book Aspects of Love) published in the Issue 11 print edition of Crossways Literary Magazine, Cork, Ireland. My thanks to poetry editor Anne Daly.


if i could take
the word love,
and give to it
the sound of how
you speak,
then look inside
its shell
and find you-
living out the years
like you belong:

i would wear
its shape and substance
in the shadow
of myself,
and hold it in my
empty hand
to not feel so alone-
then raise it to
my lips and taste
its phrase and something more-

as i head home,
along that rutted road
of fallow fields
and ancient tracks,
through what was, and is now,
and might become-
while posing pines,
stand and hang in quiet air
absorbing spoken thoughts
like silent sentinels.

Copyright Strider Marcus Jones – Aspects of Love………

Read poems from his books with reviews and comments on

Really chuffed to have my poem Poets In The Backfield published in The Beatnik Cowboy. My thanks to brilliant editor Chris Butler.

Strider Marcus Jones



Stay a while?
The subliminal cuts are coming through
These days of deadly boredom,
And poets in the backfield

Hardy, would not like today,
Life’s become an angry play;
And our deoxyribonucleic acid
Carries no imagination,
That’s not already put there
By a rival TV station.

I can hear you saying,
Yes, but we have the right to choose:
A colour and a ball of string-
Or poets in the backfield

You said:
“The Golden Bird eats Fish
In South America
And most of the peasants let him,
Because of Bolivar.”
Yet, millions starved in Gulag camps,
And Czechs cried fears when Russian tanks,
Thundered through their traumoid streets
Pretending not to be elite.
As one old soldier put it:
“The West and East preach different dreams,
But ride the same black limousines.”

Stay a while?
These sheets are cold
Without your sighing skin;
And this poet in the backfield
Is writing

Copyright Strider Marcus Jones from his second book Inside Out

EXISTENTIAL SYMPHONY – Love Poem by Strider Marcus Jones from WOODED WINDOWS


the sensual awakenings

and moist warmings

of coupled mornings

when you lie down on your back

and i drink you

like sweet water from my hat-

but more than this, you

mean more to me than that-

the mind glue


is moresaid

because the mass and volume

spills out of these conventional rooms

we shed-

it never doubts

that all within us, is ours without

the frills

of impossible possessions

that fills

love and bares it’s confessions.

i is flip flapped

and tongue smacked

by the time lapsed

music of your words

that sing and fly

low and high

like tantric birds.

sex me your beauty boolie boobs

to way with

and your pouty southy mouth

that loves to give

me head in all your moods-

that ice in long vermouth

and sober drunken truths

of ageless youth.

i have taken

each note

of your existential symphony

inside me

but not forsaken

the infinite strings of marxist hope,

where individuality

can still be


and not residual,


bonds that broke

when alienation spoke.

Copyright Strider Marcus Jones from his book WOODED WINDOWS. 2011. All Rights Reserved.

FALLEN LINTELS~Love Poem by Strider Marcus Jones. Copyright & All Rights Reserved

A Pagan Love Poem from…


it was summer time

with flowers colouring the pantomime

in feudal fields

as i walked on flat wheels

with your humming bird in my head

from the tropical warm of your bed-

where we bent the grass again

and made the rain

that doesn’t come from clouds

dampen skin rumpled shrouds.

i watched your beauty glisten sweetly

while i held you like Bernini

before you went to work

flaked in bark of silver birch

naked chalice south

and siren priestess mouth

of pagan church.

you were converting fussy ghosts

and their sullen hosts

from bribed tribes

walking past without guides-

some, so inverted and duped

like shades with every ethic stooped

labouring like quislings

under Darwinist siblings-

slowly drifting back to druid stones

that serve us more than glorious domes,

more equal in each equinox

of chaos turning natures clock.

i know, i ramble for reasons

to make sense of changing seasons-

and find none

where i am one-

only fallen lintels on the floor

like broken words that speak no more

at sunrise and sunset

remembering what we forget.

Copyright Strider Marcus Jones. 14th April 2012. All Rights Reserved.…



in the compound of this room

we make our tent

with revolution’s loom

knitting a firmament

that challenges corrupt times

with solemn slogans

to plutarch totems

simply marked on cardboard signs.

resistance kindles in the dark

and breathes new poetry and art

like a cultural tsunami

elites can’t beat with armies.

these sincere spears

of human spheres

stand soft spoken,

peaceful, but not broken

like disciples in fabric domes

chanting social justice tomes

while Jesus circles existential

throwing speculators from the temple.

we don’t need money in our tent

to make each other feel so spent-

only the sea shore, forest and mountains

to trickle streams and spurt fountains,

unlocking love when the cradle rocks

the secret rhythm of intimate clocks.

Copyright Strider Marcus Jones. 4th November, 2011. All Rights Reserved.

Peter Brook’s The Mahabharata

Peter Brook’s original 1985 stage play “The Mahabharata” was 9 hours long, and toured around the world for four years. In 1989, it was reduced to under 6 hours for television. The Mahabharata is one of the two major Sanskrit epics of ancient India, the other being the Ramayana. Traditionally, the authorship of the Mahabharata is attributed to Vyasa. Without being directly related to them, the Mahabharata derives many of its philosophical concepts from the Vedas. The Mahabharata tells of Prince Arjuna and his four brothers Yudhishthira, Bhima and the twins Nakula and Sahadeva, all married to the same woman, Draupadi. They are known as the Pandavas, the sons of Pandu, who was king of Hastinapur in North India and himself the son of Ambalika and Vyasa. After the death of their father, the Pandavas grow up at the court of their uncle, the blind King Dhritarashtra, who has become the new ruler. There is always great rivalry between the Pandavas and the Kauravas, the one hundred sons of Dhritarashtra. Eventually the old king gives his nephews some land of their own but his eldest son, Duryodhana is jealous of their success. He challenges Yudhisthira, the eldest Pandava, to a game of dice in which he loses everything. The Pandavas are then forced to surrender their land and go into exile for thirteen years. On their return, the old king is unable to persuade his son Duryodhana to restore their heritage, and in spite of efforts at reconciliation by Sanjaya, Dhritarashtra’s charioteer; by Bheeshma, his wise counselor; and even by Lord Krishna himself, war cannot be averted. The rival hosts face each other on the field of Kurukshetra. When Prince Arjuna surveys the battlefield, he is overwhelmed with sorrow at the futility of war and it is at this point that The Bhagavad Gita, the “Song of the Lord,” begins. The teachings of The Bhagavad Gita (…) are spoken by the divine Lord Krishna, who is acting as the prince’s charioteer. They are overheard by Sanjaya and reported back to King Dhritarashtra. When Krishna has finished speaking to Arjuna, the two armies engage. The battle lasts eighteen days and by the end of it nearly all of the warriors on both sides are dead save Krishna and the five Pandavas. The Mahabharata – Channel Four Television, the Brooklyn Academy of Music, Les Productions du 3ème Etage; produced by Michel Propper; directed by Peter Brook B.R. Copra’s Mahabharat (English subtitles)… The Ancients: Vyasa and The Mahabharata by Wes Cecil… Genetics and the Origin of Ancient Indian Civilization…

HE PLAYS HIS FLAMENCO GUITAR~Love Poem by Strider Marcus Jones 63K 317 92


he plays his flamenco guitar

knowing who you are,

seducing his singer

to bring her

from bleak harbour masts

to his contrasts.

he knows the equations

of her close flirtations

and doesn’t judge her glances

for wanting what romance is-

vibrating in voices and strings

of fornicating feelings.

her prose photosynthesis

illuminates his

shades that colour mountains

and drops of wishes in mosaic fountains-

she loves the Picasso from his pen

and horse smell like Andalucian men

her reversed body senses

inside his defences-

as her sea wind

billows in his revealing

Avalon through the mist,

sweet loved, firm kissed.

Copyright Strider Marcus Jones, 11th October 2010. All Rights Reserved.

Wooded Windows by Strider Marcus Jones (Goodreads Author) it was amazing 5.00 · Rating details · 6 ratings · 3 reviews

Read 14/75 poems and reviews from this book free on wattpad…

The poems in this book reflect on my journey through life, love, the Arab Spring and Occupy Movement. As a socialist and one of the 99%, this book is about love, social revolution and the
eternal struggle for equality and justice. In these poems, I look into and out of the wooded windows of the past, present and future and become romantic and erotic, political and spiritual. I am a pagan peasant in this poverty and paradise, chained to the same land in serfdom, but trying to climb the tree of life and reach the branches of freedom.


Paperback, First Edition, 162 pages

Inside Out Kindle Edition by Mr Strider Marcus Jones (Author)

In these poems about love, life and human conflict, the world is seen from the Inside Out. We are mortal beads, acting on the strings of time. In moments of epiphany, all becomes transparent. Dublin’s likeable whores, swap wisdom’s with old philosophers, while poems about the Cold War, Gaza, CND and life question our spirituality with whispers from Shamen and the Sacred Feminine. Heroes, like JFK, Martin Luther King, Lenin and Che, meet death too soon and find their truths have been betrayed by a society which is now too compounded and complex, but they left us seeds of hope to use, if we don’t destroy their infant shoots. The Love poems here, are always romantic and real and sometimes erotic and mystical.They hold everything together with their gentle glueing of emotions. Each thought becomes a grain of sand, that joins its brothers and sisters on the beach, so the whole, makes us what we are, while the tides of time, take us where we are going..Strider.